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X-WR-CALDESC:Events for Rancho Cucamonga Community & Arts Foundation
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DTSTART;TZID=America/Los_Angeles:20260117T110000
DTEND;TZID=America/Los_Angeles:20260517T160000
DTSTAMP:20260504T183209
CREATED:20251217T215339Z
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UID:10005639-1768647600-1779033600@rccaaf.org
SUMMARY:The Store of Sturtevant’s The Store of Claes Oldenburg
DESCRIPTION:The exhibition\, consisting of clay paintings\, ceramics\, and soft sculptures\, began as an idea during Reniel Del Rosario’s undergraduate career at UC Berkeley. He was introduced early on to the work of Elaine Sturtevant\, who became an inspiration for him in his clay-based art practice. It was through Sturtevant that Del Rosario learned about Oldenburg’s The Store\, an iconic work in Pop Art history. Using plaster as his medium\, Oldenburg mimicked consumer goods as mundane as cigarettes\, undergarments and blueberry pie. Sturtevant’s version also used plaster\, whereas Del Rosario’s presentation focuses on clay as the primary medium\, along with some soft textile-based sculptures (which mimic original Oldenburg and Sturtevant soft sculptures). \n\nAfter years of thinking that originality was the key to making anything ‘good\,’ it amazed me that copying the already-existent did something that an original could not: critically play with its history and value. Sturtevant’s project had copied as much of Oldenburg’s as possible\, from the medium\, to the appropriated subjects\, to the installation. It almost echoed a duplication; however\, it did not. That was the most memorable part of her rendition—it was wrong many\, many times. The colors were off\, the sizes were wrong\, key works or components were missing\, works that were never part of Oldenburg’s The Store were incorrectly added\, and many works had abnormalities that the originals did not. Comparing them to the original Oldenburg’s\, I experienced moments with each work spotting the differences\, drawing me in closer with each mistake\, intentional or not. The appropriation was just the vehicle Sturtevant had used to make a point about privilege in the art world and who amongst her circle got recognition. It was that usage of the already existent to make a critique that made me acknowledge how appropriating\, or ‘bootlegging’ as I like to refer to it\, is less like duplicating and more akin to layering—adding a new cover\, but still holding the original history\, reference\, and value underneath.  – Reniel Del Rosario \n\nImitations have been part of Del Rosario’s life. He was born and raised in the Philippines where bootlegs of consumer products are abundant in the country’s public markets. As a child raised in the Bay Area\, he was exposed to bootlegs and knock-offs in the city’s flea markets. Fraudulent goods persist in every corner of our consumerist society\, from high fashion to everyday goods. These derivative\, often poorly crafted copies\, are perceived as symbols of unoriginality\, poverty\, and piracy. In a world full of riffs\, borrowing\, and theft\, ‘being first’ is a virtuosic goal. In this work\, Del Rosario ponders whether these goals of originality are in fact virtuosic or even realistically achievable in our media and image saturated world. By copying a copy\, Del Rosario’s intention is not to simply prove that he can accurately mimic a work. Rather\, he is interested in observing whether the original has changed in physical and/or perceptual ways through his imitations. Oldenburg’s The Store and Sturtevant’s The Store of Claes Oldenburg are decades old projects that have aged and changed in public perception. Their complete documentations are dispersed in private archives\, often difficult to search and to pull as complete exhibition records as the works now live across multiple collections and institutions. Both bodies of work have transformed despite the artists never touching them again. Del Rosario’s bootlegs comment on the fact that their original counterparts were made by well-established artists within a friendly circle of heavyweight artist friends and art dealers. His versions are not replacements for Sturtevant or Oldenburg’s works—they are the contemporary alternatives for the criticisms they once presented. \nOldenburg’s The Store and Sturtevant’s The Store of Claes Oldenburg will be on view in the Igal & Diane Silber Vault Gallery at AMOCA from January 17–May 17\, 2026.
URL:https://rccaaf.org/event/the-store-of-sturtevants-the-store-of-claes-oldenburg/2026-01-17/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2025/12/Reniel-e1766008392591.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260206T110000
DTEND;TZID=America/Los_Angeles:20260206T160000
DTSTAMP:20260504T183209
CREATED:20260203T032515Z
LAST-MODIFIED:20260203T032518Z
UID:10005649-1770375600-1770393600@rccaaf.org
SUMMARY:First Friday; Pay What You Can Day
DESCRIPTION:First Fridays\nFriday\, February 5\, 2026 • 11:00 AM –4:00PM • In Person\nThanks to generous support from AMOCA’s Board of Directors\, Museum admission for First Fridays at AMOCA is pay what you can. On the First Friday of each month\, visit the Museum and choose your own ticket prices!
URL:https://rccaaf.org/event/first-friday-pay-what-you-can-day-5/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/01/First-Fri-NEW-Social-media-squares-1080-x-1350-px3-e1770089059765.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260207T113000
DTEND;TZID=America/Los_Angeles:20260207T133000
DTSTAMP:20260504T183209
CREATED:20260203T032712Z
LAST-MODIFIED:20260203T032715Z
UID:10005650-1770463800-1770471000@rccaaf.org
SUMMARY:Valentine Heart Frames – A Family Workshop
DESCRIPTION:Valentine Heart Frames – A Family Workshop\nSaturday\, February 7\, 2026 • 11:30AM – 1:30PM • In Person • $15/$10\nAMOCA invites you to join us for a one day Valentine workshop to craft a heart shaped frame to show off your favorite polaroid. Whether to hold a photo of a loved one\, a cute pet or even of yourself\, this handmade gift will be the perfect Valentine!
URL:https://rccaaf.org/event/valentine-heart-frames-a-family-workshop/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Educational,Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/01/Valentine-Frame-NEW-Social-media-squares-1080-x-1350-px-e1770089208881.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260213T130000
DTEND;TZID=America/Los_Angeles:20260213T140000
DTSTAMP:20260504T183209
CREATED:20260203T033312Z
LAST-MODIFIED:20260203T033316Z
UID:10005651-1770987600-1770991200@rccaaf.org
SUMMARY:Curator Walk-Through: Fired in Revolution
DESCRIPTION:Curator Walk-Through: Fired in Revolution\nFriday\, February 13\, 2026 • 1:00 – 2:00PM • In Person • Free w/Admission\nJoin guest curator Jamie Kwan on a walk-through of Fired in Revolution: Ceramics from the People’s Republic of China. Kwan will talk about the exhibition\, share details about the collection\, and discuss how the concept for the show came to a realization.
URL:https://rccaaf.org/event/curator-walk-through-fired-in-revolution/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Educational,Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/01/Curator-tour-e1770089558386.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260213T173000
DTEND;TZID=America/Los_Angeles:20260213T183000
DTSTAMP:20260504T183209
CREATED:20260203T033443Z
LAST-MODIFIED:20260203T033446Z
UID:10005652-1771003800-1771007400@rccaaf.org
SUMMARY:Introductory Clay Class: Wheel Throwing
DESCRIPTION:Introductory Clay Class: Wheel Throwing\nFriday\, February 13\, 2026 •5:30-6:30 PM or 7:30-8:30 PM • In person • $75\nThe perfect way to get your hands dirty\, relax\, and have fun! In this one-hour introductory class\, you’ll learn the basics of throwing on the potter’s wheel. Advance registration required.
URL:https://rccaaf.org/event/introductory-clay-class-wheel-throwing-2/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Educational,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/01/Intro-session-new-insta-squares2-1-e1770089635912.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260214T150000
DTEND;TZID=America/Los_Angeles:20260214T153000
DTSTAMP:20260504T183209
CREATED:20260203T033556Z
LAST-MODIFIED:20260203T033559Z
UID:10005653-1771081200-1771083000@rccaaf.org
SUMMARY:Second Saturday Tour
DESCRIPTION:Second Saturdays Tour\nSaturday\, February 14\, 2026 • 3:00 PM • In Person\nOn the second Saturday of each month\, AMOCA’s docents offer a guided look into one of our current exhibitions. February’s tour will focus on AIR 2026: Compulsion. Second Saturday tours are free with museum admission.
URL:https://rccaaf.org/event/second-saturday-tour/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Educational,Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/01/second-sat-3pm-1-e1770089718220.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260222T110000
DTEND;TZID=America/Los_Angeles:20260222T160000
DTSTAMP:20260504T183209
CREATED:20260203T033708Z
LAST-MODIFIED:20260203T033711Z
UID:10005654-1771758000-1771776000@rccaaf.org
SUMMARY:So Cal Museums Free-For-All @ AMOCA
DESCRIPTION:So Cal Museums Free-For-All @ AMOCA\nSunday\, February 22\, 2026 • 11:00 AM -6:00 PM • In Person\nEnjoy free admission to AMOCA—with advance registration—on Sunday\, February 22 as part of SoCal Museums (SCM)‘s Free-for-All day. AMOCA is open 11 AM-4 PM on February 22; last entry is at 3 PM.
URL:https://rccaaf.org/event/so-cal-museums-free-for-all-amoca/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/01/Free-For-All-2026-e1770089791704.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260228T113000
DTEND;TZID=America/Los_Angeles:20260228T123000
DTSTAMP:20260504T183209
CREATED:20260212T173426Z
LAST-MODIFIED:20260212T173429Z
UID:10005675-1772278200-1772281800@rccaaf.org
SUMMARY:Foam Block Printing – A Family Workshop
DESCRIPTION:Foam Block Printing – A Family Workshop\nSaturday\, March 28\, 2026 • 11:30 AM -12:30 PM • In Person • $15/$10\nDiscover the story of block printing and create your own foam print as we explore our current exhibition\, Fired in Revolution! Learn the basic techniques of relief printing through foam paper for this easy and accessible workshop perfect for the whole family.
URL:https://rccaaf.org/event/foam-block-printing-a-family-workshop/
LOCATION:American Museum of Ceramic Art\, 399 N. Garey Ave\, Pomona\, 91767
CATEGORIES:Museums & Galleries,Visual Arts
ATTACH;FMTTYPE=image/png:https://rccaaf.org/wp-content/uploads/2026/02/foam-printing-NEW-Social-squares-1080-x-1350-px-1-e1770917639631.png
ORGANIZER;CN="American Museum of Ceramic Art":MAILTO:communications@amoca.org
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